A look at the work of horror’s most influential designer – H.R Giger
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Hans Rudolf “Ruedi” Giger (5 February 1940 – 12 May 2014) was a Swiss surrealist painter, whose style was adapted for many forms of media, including record-albums, furniture and tattoo-art.
The Zurich-based artist was best known for airbrush images of humans and machines linked together in a cold ‘biomechanical’ relationship. Later he abandoned airbrush work for pastels, markers or ink. He was part of the special effects team that won an Academy Award for design work on the film Alien. In Switzerland there are two theme-bars that reflect his interior designs, and his work is on permanent display at the H.R. Giger Museum at Gruyères.
Alien is a 1979 British-American science-fiction horror film directed by Ridley Scott, and starring Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm and Yaphet Kotto. The film’s title refers to a highly aggressive extraterrestrial creature that stalks and kills the crew of a spaceship. Dan O’Bannon wrote the screenplay from a story he wrote with Ronald Shusett, drawing influence from previous works of science fiction and horror. The film was produced by Gordon Carroll, David Giler and Walter Hill through their Brandywine Productions and distributed by 20th Century Fox. Giler and Hill made revisions and additions to the script. Shusett was executive producer. The eponymous Alien and its accompanying elements were designed by Swiss surrealist artist H. R. Giger, while concept artists Ron Cobb and Chris Foss designed the human aspects of the film. Alien launched the Alien franchise and is chronologically the first of the main series, with the prequel series set in an earlier timeframe.